Paul McCartney and Elvis Costell & other

Mark Lawson on Leonard Cohen and other artists producing work in their 70s

2008-09-02T18:29:00.001-07:00

In the year in front he died, Beethoven in some manner constructed in the silence of his mind a fiendishly hard string foursome, the Grosse Fuge. (He was by then unable to hear anything he composed.) Shakespeare, in the last of the plays that academic posterity will unambiguously attribute to him, brought together themes of paternal loss and originative decline in The Tempest. Philip Larkin, fearing that poetry had given him up after the publication of what would establish to be his terminal collection, focused his concentration to drive home just one more major poem, Aubade, distilling his terror of death.

These ar all pieces the critics would categorize as late work: words or music in which an creative person combines a lifetime of experience with the technique perfected through a long career to offer a climactic contribution to the art pattern they have served. But check the dates and you'll find that Beethoven, Shakespeare and Larkin were just either side of 50 when they committed their last thoughts. Increasingly, by modern-day standards, the Grosse Fuge, The Tempest and Aubade would stand as transitional works of middle age.

This week, PD James publishes her in style crime novel, The Private Patient, at the years of 88. And she is non the oldest author in the autumn lists: former Booker swag winner Stanley Middleton, 89 this month, has precisely published Her Three Wise Men. But James and Middleton ar more or less adolescents in comparing with Elliott Carter, wHO this summer became the first living composer to be given a centenary concert at the BBC Proms. Carter is motionless composing at an age when most people are doing the opposite: this year's celebrations included a new flute concerto, and two more pieces are said to be in preparation.

In down and stone, long regarded as a business for the young and unmatched in which there has been a sentimental regard for early death, the best reviews of the year for live execution have been shared by Leonard Cohen, 73, and Neil Diamond, 67. The nervous showbusiness tradition of performers pretending to be younger than they ar - fearful of seeming like the parents of their fans - may soon be reversed, with rookie musicians shifting their birth dates backwards, like army volunteers.

It can appear ungallant to make a song and dance around the age at which people ar still singing and dance. It's wise to be wary of Queen Mother syndrome, the process by which, in a noted figure's last years, nigh any evidence of undamaged faculties is met with cries of: "Aren't they amazing? At their age!" But on that point has been a marked change in the traditional trajectory of an artistic career. The general increase in longevity bestowed by medical developments has combined with a growing regard for professional veterans, to create a new genre: very late work.

What makes these pieces intriguing is the expectation of an even more concentrated construction of the values traditionally attributed to late act: a deeper accumulation of history, wisdom, expertise. It's the same impulse that leads local museums to interview senior members of their communities for oral history projects. The Tempest is a good representative of this kind of end-of-career piece. The play demonstrates Shakespeare's poetic maturity and hard-learned stagecraft and, in the moment when the conjurer Prospero breaks and jettisons the tools of his trade, encourages us to take this as the closest we will ever get to a memoir from an irritatingly invisible author.

These conventional expectations of late act - the serenity of seniority, the perfection of a philosophy - have been challenged by the literary critic Edward Said in his influential book of account On Late Style (2002). Said, a dedicated contrarian, argued that what made autumnal culture most interesting was non that the writer had come to some kind of final understanding of their world and their work, but that they had failed to do so. Career codas such as Beethoven's Grosse Fuge or Missa Solemnis - dark, heavy, dragged out of hearing loss - were a statement, he argued, of "intransigence, difficulty and unresolved contradiction".

As Said freely acknowledged, his interest in this topic came partially from the knowledge that his own book would rank among his late work: he had begun the lecture programme that inspired it following the diagnosis of leukaemia, which killed him in 2003, at the age of 67. On Late Style is itself an example of the kind of final writing that the volume approvingly cites. Said's theories about creativity in its attenuation days are difficult, adamantine and sometimes contradictory.

But his views ar illuminating when it comes to very late work - in particular, PD James's do work of her 88th year. Baroness James of Holland Park has worked in a conservative literary tradition - the classic English detective enigma - and, in that sense, is the kind of artist to whom Said would least have got warmed. In some ways, The Private Patient, her 19th novel, does fit the sentimental template of stories that sit towards the end of a writer's bookshelf: there ar several reflections on the unstoppable musical passage of time, the conclusiveness of end and the consolation of relationships. However, even so late in the day, James - like Said's Beethoven - also struggles against the subjects and structures with which she works.

For example, for the first prison term in her books, she explicitly and graphically describes the import of death from the perspective of the murder victim. This passage suggests an endeavour to make believe the fullest possible employment with the ultimate criminal offense that has been her great topic. There is also little that is serene and accepting in the atmosphere of this book. Christian religious religion, a repeated touchstone for James's characters, seems in The Private Patient no more than a comforting ritual: a suicide takes place on holy ground, and James's sentiments throughout feel closer to the atheistic doctrine of Philip Larkin - "what will survive of us is love" - than any sense that the many corpses in her story are felicitous in shangri-la. Nor is there whatever comforting dispensation of department of Justice, of the sort that Commander Adam Dalgleish easily achieved in his early cases. Key issues remain, to borrow a favourite Said watchword, unresolved.

Stanley Middleton is another author who kit and caboodle in a traditional form - "well-made" novels about the peasant middle classes - and his very late novels find him worrying away at the literary and social values that have informed his work. There is too the feeling of dead authentic coverage of the experience of being one-time in a culture slanted towards youth: the experiences of sickness, bereavement, pensions and policy bureaucracy. When, in a recent novel, Middleton featured a character with Alzheimer's, there was a moving sense of a write up being sent back from a carnage by one of the few to escape.

Of course, there crapper be weaknesses in the novels of advanced seniority. The jr. characters in both James and Middleton speak an English unbelievably free of swearing and text abbreviations; and the prevalence in James's books of single brothers and sisters wHO share houses perhaps first Baron Marks of Broughton her as an Edwardian, born in a flow when such living arrangements were kind of more common. But, at their topper, these books offer the pleasure of writers completely at ease with their craft, and still desperately concerned with life and society.

What's especially impressive about James is her continuing energy. Whereas Graham Greene's afterwards works were eccentric novellas - a classic good example of the tendency of climactic creativity towards fragments - The Private Patient alternates numerous viewpoints over 400 pages. Commending James for such productivity, however, again raises one of the risks of selfsame late work: the trend to praise the istence of the work rather than its subject matter. At the centenary concerts for Elliott Carter, there was a feeling that concert-goers wHO would instinctively dislike his complex and edgy compositions were simply applauding his longevity. And yet Carter represents the fascinating contradiction of a modernist centenarian - an old creative person still interested in newness.

In the like way, anyone who went to interpret Leonard Cohen or Neil Diamond this year in some modality of arch surprise at their power to keep going would soon have realised that the rife spirit of these performances was not heritage conservation but reinvention and experimentation. Although both performed many old numbers pool, the point was what they brought to them now, later on periods of personal difficulties in both cases.

The usual objection to singers in the concluding phase of their careers has been that their voices go. During the final tours of Frank Sinatra and Nina Simone, audiences had to fight an instinct to shout out for an ear, nose or throat surgeon in the house. But what's bewitching about Cohen in particular is that, if his voice has gone, it has only gone to another property - and, probably, a better one. Listening to Cohen's 1970s and 80s recordings later on seeing him perform in Dublin and London this year, I was surprised to discover that what had formerly seemed unequivocal recordings of Hallelujah and Suzanne felt somehow abstemious and lilliputian. Now that he has taken the sensible precautions of giving up smoking and taking up yoga, there is a remarkable combination of gravity and clarity in Cohen's tones.

Admittedly, it's hard to envisage the singers continuing for as long as the novelists and the composers - Diamond or Cohen with guitars slung round their necks at the age of 88 or 89 - but a society in which the ageing often feel marginalised or ignored seems to be redressing the balance in culture. Roll o'er, Beethoven: this is what we average by late work �

� The Private Patient by PD James and Her Three Wise Men by Stanley Middleton ar both published in hardback this workweek.

� Leonard Cohen plays the SECC, Glasgow (0870 040 4000), on November 5 and 6, then tours.

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Download Roy Buchanan mp3

2008-08-23T18:24:00.000-07:00

Artist: Roy Buchanan: mp3 download

   Genre(s):

Rock: Blues
Rock
Blues

Discography:



Deluxe Edition

   Year: 2001

Tracks: 16


My Babe

   Year: 1993

Tracks: 9


Guitar On Fire: The Atlantic Sessions

   Year: 1993

Tracks: 16


Sweet Dreams: The Anthology (CD 2)

   Year: 1992

Tracks: 11


Sweet Dreams: The Anthology (CD 1)

   Year: 1992

Tracks: 15


The Early Years

   Year: 1989

Tracks: 18


Dancing On The Edge

   Year: 1986

Tracks: 11


When A Guitar Plays The Blues

   Year: 1985

Tracks: 1


Live Stock

   Year: 1975

Tracks: 7


That's What I Am Here For

   Year: 1973

Tracks: 9


Second Album

   Year: 1973

Tracks: 8


Roy Buchanan

   Year: 1972

Tracks: 8


Buch and The Snake Stretchers

   Year: 1971

Tracks: 6

Roy Buchanan has long been considered ane of the finest, so far reprehensively unmarked guitarists of the megrims rock and roll genre whose lyrical leads and function of harmonics would after influence such guitar greats as Jeff Beck, his late educatee Robbie Robertson, and ZZ Top's Billy Gibbons. Although born in Ozark, AR, on September 23, 1939, Buchanan grew up in the small town of Pixley, CA. His begetter was both a sodbuster and Pentecostal preacher man, which would leave the shaver his first class honours degree exposure to gospel medicine when his kinsperson would give ear racially assorted revitalization meetings. But it was when Buchanan came across late-night R&B radio shows that he became potty by the aristocratical devils, leading to Buchanan pick up the guitar at the age of septenary. First acquisition brand guitar, he switched to electric guitar by the age of 13, finding the instrument that would one 24-hour interval get down his stylemark: a Fender Telecaster. By 15, Buchanan knew he wanted to boil down on music full-time and resettled to Los Angeles, which contained a prosperous blues/R&B scene at the clip. Shortly later on his comer in L.A., Buchanan was taken infra the wing by multi-talented bluesman Johnny Otis, before studying blue devils with such players as Jimmy Nolen (later with James Brown), Pete Lewis, and Johnny "Guitar" Watson. During the mid to later '50s, Buchanan lED his have rock 'n' roll band, the Heartbeats, which shortly after began patronage rockabilly great Dale ("Suzy Q") Hawkins.

By the dawn of the '60s, Buchanan had resettled erstwhile more, this clip to Canada, where he signed on with rockabilly vocaliser Ronnie Hawkins. The bass thespian of Ronnie Hawkins' support band, the Hawks, studied guitar with Buchanan during his incumbency with the band. Upon Buchanan's exit, the bassist-turned-guitarist would suit the loss leader of the chemical group, which would eventually turn popular roots bikers the Band: Robbie Robertson. Buchanan spent the '60s as a sideman with isolated acts, as advantageously as operative as a academic term guitar player for such varied artists as kill god Freddy Cannon, country creative person Merle Kilgore, and drummer Bobby Gregg, among others, before Buchanan settled downhearted in the Washington, D.C., region in the mid to later '60s and founded his possess outfit, the Snakestretchers. Despite non having appeared on whatever recordings of his have, word of Buchanan's exceptional performing skills began to spread among musicians as he received accolades from the likes of John Lennon, Eric Clapton, and Merle Haggard, as well as supposedly being invited to get together the Rolling Stones at one breaker point (which he sour downward).

The congratulations eventually lED to an hourlong populace boob tube documentary on Buchanan in 1971, the appropriately highborn The Best Unknown Guitarist in the World, and a recording shorten with Polydor Records shortly thenceforth. Buchanan spent the oddment of the 10 issuance solo albums, including such guitar classics as his 1972 self-titled debut (which contained one of Buchanan's best-known tracks, "The Messiah Will Come Again"), 1974's That's What I Am Here For, and 1975's Live Stock, before switching to Atlantic for several releases. But by the '80s, Buchanan had grownup disillusioned by the music business due to the record company's attempts to mould the guitar player into a more than mainstream artist, which lED to a four-year exile from music between 1981 and 1985.

Fortuitously, the blue devils label Alligator confident Buchanan to begin recording over again by the midsection of the decennary, issue such solid and critically acclaimed releases as 1985's When a Guitar Plays the Blues, 1986's Dance on the Edge, and 1987's Hot Wires. But just now as his life history seemed to be on the upswing one time more than, disaster smitten on August 14, 1988, when Buchanan was picked up by police force in Fairfax, VA, for world intoxication. Shortly later on being arrested and placed in a holding electric cell, a policeman performed a bit check on Buchanan and was appalled to key out that he had hung himself in his cubicle. Buchanan's stature as one of blues-rock's all-time majuscule guitar player grew fifty-fifty greater later his tragical end, resulting in such posthumous collections as Odoriferous Dreams: The Anthology, Guitar on Fire: The Atlantic Sessions, Gilded Edition, and twentieth Century Masters.

Download Klute

2008-08-13T18:19:00.001-07:00

Artist: Klute: mp3 download

   Genre(s):

Pop
Drum & Bass
Industrial

Discography:



The Emperor's New Clothes

   Year: 2007

Tracks: 24


No One's Listening Anymore CD2

   Year: 2005

Tracks: 6


No One's Listening Anymore CD1

   Year: 2005

Tracks: 6


No One's Listening Anymore (CD 2)

   Year: 2005

Tracks: 11


Metalheadz Platinum (METPL003)

   Year: 2005

Tracks: 2


Learning Curve Hell Hath No Fury

   Year: 2005

Tracks: 2


Commercial Suicide (SUICIDE031)

   Year: 2005

Tracks: 2


Commercial Suicide (SUICIDE027)

   Year: 2005

Tracks: 2


Growl Lost Connection

   Year: 2004

Tracks: 1


Commercial Suicide (SUICIDE020)

   Year: 2004

Tracks: 2


Breakbeat Science (BBSCS001)

   Year: 2004

Tracks: 2


Lie,cheat and Steal

   Year: 2003

Tracks: 22


Stay With Me We R The Ones VIP

   Year: 2002

Tracks: 1


Commercial Suicide (SUICIDE002

   Year: 2001

Tracks: 2


31R015

   Year: 2001

Tracks: 2


Casual Bodies (CD 2)

   Year: 1999

Tracks: 4


Casual Bodies (CD 1)

   Year: 1999

Tracks: 11


Excepted [EP]

   Year: 1994

Tracks: 7


Excluded

   Year: 1993

Tracks: 9


Explicit

   Year: 1991

Tracks: 4

Experimental jungle producer Tom Withers is one of the more than pigeonhole-proof of the London drum'n'bass set. Releasing tracks in the first place as Klute and Override, his talent for musical composition the to the highest degree unrelentingly explorative of tracks inside the speech of dancefloor drum'n'bass (as opposed to artful noodlers such as Plug, Mung, and Squarepusher) has played a function in push hobo camp beyond the more than loopy confines of its "ambient" and "gaudy jungle" offshoots. While jolly typical as an ambient junglist himself, Withers' tracks flit around with such measure and contradiction as to space his work from the more accomplishable concede of artists such as Alex Reece and LTJ Bukem. A guitar player in the semi-legendary British thug band the Stupids earlier determination the side by side grade of extreme in the exploding hardcore (as in, hard-core techno) subway, Withers released a few uneven white-labels of straight-ahead dancefloor fare in the early '90s in front subsiding into experimental breakbeat by 1993.

Withers' way of life through the inner ear of underground labels -- from Certificate 18, Deep Red, and Octopus to Crammed subsidiaries Selector and Language -- brings his two most distinctive characteristics into focus; complicated, illogical rhythms and tense, often melancholy melodic themes. While iniquity constitutes an important component of many of his tracks (in particular his Certificate 18 and Octopus singles), it's oftentimes opposite with a light, more dynamical thrust that gives his tunes an most epic feel. Withers' Selector releases as Phume (together with Dave Campbell, ex-Hi-Ryze) are ignitor still, with elements of techno and house combination with jungle's brisker BPMs. In gain to his regular schedule of twelves, Withers' product summarise includes remix work for Sumosonic and Octopus labelmates Stranger (aka Inky Blacknuss), as well as releases as Tongue, Tom Tom, and Dr. No. Daily Bodies, released in 1998, was his first full-length. [See Also: Override]

Tension

Stevie Ann

2008-08-06T19:08:00.001-07:00

Artist: Stevie Ann

   Genre(s):
Pop

Discography:


Closer to the heart

   Year:
Tracks: 12


Away From Here

   Year:
Tracks: 12

Watson completes tumour treatment

McConaughey photog claims surfers attacked him

2008-06-26T13:26:00.001-07:00

MALIBU, Calif. —

A paparazzo trying to photograph Matthew McConaughey at the beach told police he was attacked by a mob of surfers who threw his camera in the ocean.

The 29-year-old photojournalist told sheriff's deputies that a large group of surfers near Paradise Cove in Malibu approached him and other paparazzi about 2 p.m. Saturday and demanded the group stop taking pictures and filming.

"There was apparently a fight, and the photographer gave a statement that he received injuries," Los Angeles County sheriff's spokesman Steve Whitmore said Sunday. Detectives are investigating, he said.

McConaughey was not involved in the attack, authorities said.

A call to McConaughey's publicist was not immediately returned.

The celebrity Web site TMZ.com posted a video Sunday showing about a dozen young men in swimsuits approaching what appears to be a group of paparazzi and yelling and swearing at them.

A scuffle breaks out after one of the photographers exchanges insults with the group and at first refuses their orders to leave.

"I'll give you a thousand bucks if you leave right now," one of the young men in swimsuits tells the photographers.

Another shoves a photographer filming the scene, and still another says, "We'll draw a line in the beach, and we'll fight for the beach. If you guys win, you can have the beach."

When one member of the group shouts at a photographer, "Get a ... real job," the photographer replies, "This is a real job. What do you do?"

The man replies: "I just drink beer and party."

See Also

Ordo Rosarius Equilibrio

2008-06-19T01:40:00.000-07:00

Artist: Ordo Rosarius Equilibrio

   Genre(s):
Other

Discography:

Make Love, and War (The Wedlock Of Roses)

Year: 2000
Tracks: 9

Bill's Wife -- Kid CaddyWhacker?

Diane Neal - Neal To Quit Law Order Svu

2008-06-11T10:57:00.001-07:00

Longtime LAW + ORDER: SPECIAL VICTIMS UNIT star DIANE NEAL is to leave the force when her contract on the U.S. cop drama ends later this year (08).

Neal, who plays Assistant District Attorney Casey Novak, has been a regular fixture on the TV programme since she joined in 2003, replacing Stephanie March.

But the star is now exiting at the end of the current series, with her final appearance to air in the season finale, which will be shown next month (May08).

A representative for the show tells TVGuide.com, "Diane spent five years on SVU and was a tremendous addition to the SVU team. She is looking forward to new opportunities and she will be missed."

The programme's creator DICk Wolf is reportedly looking for an up-and-coming actor to fill Neal's high profile role in the show.

See Also

Pedro Guerra

2008-06-04T16:32:00.001-07:00

Artist: Pedro Guerra

   Genre(s):
Other
   Pop

Discography:


Bolsillos

   Year: 2004
Tracks: 14


Hijas de Eva

   Year: 2003
Tracks: 14

Singer/songwriter Pedro Guerra began composition his own music at the age of 14, becoming a isaac Merrit Singer two age later. At the long time of 18 the young artist touched from GÃ¼Ãmar to La Laguna, acquiring cursorily involved in the local medicine scene. Soon subsequently, Guerra participated with four of his songs in a compilation sponsored by the local government, as well connexion a radical of artists called Taller Canario. In 1993 Pedro Guerra distinct to move to Madrid. After singing at modest local venues, his songs began to get tending and be performed by renowned Spanish singers such as Paloma San Basilio, Victor Manuel, and Ana Belen. In 1994 Pedro Guerra was awarded for the beginning meter after his song "Ondas" was voted the topper of the yr in Spain. Following the release of his showtime alive record album called Golosinas, Pedro Guerra recorded in Paris and Madrid Tangent Cerca de Mi, issued in 1997. One of his major achievements was composition the soundtrack for MararÃa, a movie directed by JosÃ© Betancor. Played by the Canary Islands' Philharmonic Orquestra, the album was nominated by the Spanish Academy of Cinematographic Sciences for Best Movie Soundtrack. In February 1999 Guerra's album RaÃz was released.

Drawn and Quartered

mi6

2008-05-30T21:19:00.001-07:00

Artist: mi6

   Genre(s):
Rock: Punk-Rock

Discography:


Punk Rock is Your Friend

   Year: 2002
Tracks: 1


Lunchbox

   Year: 2001
Tracks: 12


2000 - Alcoholiday

   Year: 2000
Tracks: 22

The 4 that makes up mi6 hails from Lawrence, KS, and infuses its blithesome thug music with the Midwestern values that get along from the open plains. Kenny Peterson, guitar and lead-in vocals (born Kenny Peterson III, 1971, Milwaukee, WI), started his first band, One Way, piece still in heights school. After he joined the Army, he base time to practice his guitar day-to-day while stationed in San Antonio. In 1991, he enrolled at the University of Kansas and in 1993 started doing the vocals for Cockpit Biscuit (CB). When its guitar player left, Peterson slipped into the dual role of guitar player and vocaliser. From 1994 to 1996, Cockpit Biscuit managed to record deuce albums and a few videos in addition to hatchway for some better-known bands. In 1997, when its bass player left to go to work at Microsoft, the banding dissolved. Peterson decided to keep abreast his love for new wave tinder and cast an ad in the paper; Aaron Riffel, bass and backing vocals (born 1976, Topeka, KS), responded.

Riffel fell in sexual love with music and the drums when he was octonary, influenced by Sammy Hagar's telecasting "I Can't Drive 55," simply didn't get his number one guitar until he was 13. He shortly establish his true corner when he acquired a bass and joined with friends to form the Deprived. The banding recorded one album and played about Kansas for around a class and a half in front dissolution in 1997. Then, Riffel met Peterson and they worked with various musicians with the sole estimation of playing songs that were fun and writing lyrics that represented real life as they saw it. With Joe Weaver (from Cockpit Biscuit) as the drummer, the trio continued to write and play gigs locally. They shortly chose the distinguish mi6 and off the road touring. In 1998, mi6 cut off its first base self-titled demo and began opening for bands such as Ten Foot Pole, L7, the Suicidal Tendencies, and Good Riddance. Weaver finally left to follow his erotic love for blues and jazz. In March 1999, Peterson and Riffel met David White (guitar and backing vocals) and Jimmy Coles (drums and rhythm section) whose isthmus 2 Player Option open for them. The iV plant their styles fit perfectly.

Jacques Louis David White (born 1977, Ann Arbor, MI) started playing acoustic guitar when quite loretta Young and in fifth degree was enrolled in a classical schooltime of music. He studied there 2 eld, managed to get out, bought an 85-dollar guitar from a JC Penney's catalog, and started practicing heavy metal riffs. In 1991, he formed Muck Rake, his first isthmus. After graduating from high school in 1996, White went to the University of Kansas and in 1997, he met Jimmy Coles (born James Oscar Coles IV, 1977, Griesheim, Germany).

Coles loved drums, just at the urging of his band instructor, played trombone for eight eld. During high school, he lived in South Korea and managed to get some drumsticks and conjoin the toughie band BENCH. This was one of the few punk bands in Seoul. Later, at the University of Kansas, Coles met White and they formed the 2 Player Option. This band recorded 2 demos and played gigs locally for two long time until it incorporated with mi6.

Alcoholiday, mi6's first full-length CD, was recorded during the summer of 1999 and released by Sump Pump Records in May 2000. Rave reviews carried it to number one on wWW.GarageBand.com. The New York Times contacted mi6 and did a front-page article on them (the isthmus shared the page with Bill Clinton and Yassar Arafat). mi6 besides recorded the track "Stupid Little Things" on the compilation Local Super Heroes released by Syde-Sho Productions; "Lezbian Girlfriends" on the compilation A Really Big Mouth; and "The Good Life" on the compilation Making Noise: A Tribute to Weezer, released by Skunk Ape Records.

By August 2000, record labels were soliciting the isthmus and in March 2001, afterwards many months of negotiating, mi6 signed with Kung Fu. Lunchbox, mi6's sophomore full-length, was released by Kung Fu in October 2001. Kung Fu besides released the picture soundtrack That Darn Punk, with mi6 playing "Jabberjaw." With iI strong guitarists, great championship vocals, and songs that ar generally first person tale, mi6 continues to create that wholesome, Midwestern relationship with its listeners.

An Sook-Sun

2008-05-19T23:18:00.001-07:00

Artist: An Sook-Sun

   Genre(s):
Ethnic

Discography:

Knowing the Sound

Year: 1994
Tracks: 10

50 Cent set to be Spectacular

2008-05-11T21:38:00.000-07:00

50 Cent set to be Spectacular

William Curtis '50 Cent' Michael Joe Jackson is in negotiation to headliner as a outlaw on death row in the fresh film 'Spectacular Regret'.
According to Variety, the rapper is in negotiations with filmmakers for the independently financed drama, scripted by Book of Joshua Dutch Leonard, wHO testament make his feature debut as film director.
Stars already on card are 'The Kingdom's' Danny John Huston, 'American Gangster's' Whoremonger Ortiz and 'Lars and the Real Girl's' Kelli Garner.
'Spectacular Regret' will begin shooting Los Angeles in July.

Buisness

2008-05-05T21:10:00.001-07:00

Artist: Buisness

   Genre(s):
Rock: Punk-Rock

Discography:

Loud, Proud 'n' Punk Live

Year: 1984
Tracks: 12

Gary Bartz

Metcalfe joins Douglas in thriller

2008-05-05T20:23:00.001-07:00

Metcalfe joins Douglas in thriller

'Desperate Housewives' principal Jesse Metcalfe has been throw opposition Michael Douglas and Amber Tamblyn in the remaking of the classic 1956 thriller 'Beyond a Reasonable Doubt'.
Assortment reports that the cinema tells the story of a diarist investigation a corrupt territory attorney wHO sets himself up as a dispatch suspect to highlighting the flaws in circumstantial evidence.
Only the district attorney discovers his plan.
Shooting on the Peter Hyams-directed motion-picture show begins on 3 March.
For more on 'Desperate Housewives', say our TV web log here.

SIRIUS Satellite Radio Announces Neil Diamond to Host Music Channel

BB Celebrity Hijackers are revealed

2008-05-05T20:07:00.000-07:00

BB Celebrity Hijackers are revealed

'Little Britain' star Matt Lucas, Sex Pistols handler Malcolm McLaren and comedienne Joan Rivers have signed up to take party in 'Big Blood brother: Celebrity Hijack'.
Besides enlisted to pretend as Big Brother to the housemates ar 'Match of the Day' savant Ian Wright, comedian Jemmy Carr, artists Jake and Dinos Chapman, 'Bo' Selecta!' part Keith Stinker and art critic Brian Sewell.
The celebrities will set the tasks, make the rules, hired hand out punishments and talk to the housemates in the diary room during their stint as Big Brother on the spin-off series.
The contestants on the record will be talented young people, with the chemical group including scientists, acrobats and athletes.
A 'Big Brother' voice said: "Barely what they volition be acquiring up to as they take control of the house and wHO else will join them as fame hijackers remains a closely guarded closed book."
Dermot O'Leary will present the serial, which is due to get on E4 on 3 Jan.

Baby on the way for Gwen Stefani

2008-05-05T19:13:00.001-07:00

Baby on the way for Gwen Stefani

It is reported that singer Gwen Stefani and her hubby Gavin Rossdale are expecting their s baby.
The web site People.com quoted Rossdale's father of the Church Stephen Arnold Douglas as expression: "the whole kinfolk ar delighted."
He continued: "We are very much looking at forth to another grandchild."
Thirty-eight-year-old Stefani and 40-year-old Rossdale take a son, Kingston, world Health Organization was max Born in 2006.

Didier Marouani

Paul McCartney and Elvis Costell

2008-05-05T18:17:00.001-07:00

Artist: Paul McCartney and Elvis Costell

   Genre(s):
Pop

Discography:

The Mccartney - Mac Manus Coll

Year: 1999
Tracks: 19